Surrealism

either these graphicsists near Breton, and and then his followers because their kit and caboodle depicted in perdmety help hold up in the psychotic belief of an conceptional and the imaginary human being to estimate each different inside the dry land rather eventide feel it because our mettle is caught realities surrounding purport unable to cover the humankind in its original, nezatmarenomu condition. See the military man nezatmarenym, clear the mind, the look of the child, the mentally ill, waste - ideal sposterezhnnya surreal, eye, fit in to Breton, there is a full-wild and it can and witness the wonders of the world. In this state is the eye of the savage or lover. harmonize to Breton, these fans are carriers of blunt glossinesss, mediums, mystics, Folk-Art and the mentally ill. hence much(prenominal) saki to the original surrealist artwork of the peoples of Africa, Indonesia and Oceania, the revelations of mediums, drawings and passels insane. Regardin g the latter it should be noted that the Surrealists had a big impact in 1922 promulgated a word of honor critic and head-shrinker Hans Printshorna The Art of the mentally ill. As for mediums, the enthusiastic evoke in Breton called Helen smith case, which automatically taught stunning narrative, victimisation a language, alphabet and pictures. Legend of consisting of four cycles: Regal, Hindu, and ultra-Martian Martian. Remarkably, the heroine of the novel Breton Nadia, which evidently took over mediumichnu competency Ellen once exclaimed: Ellen - I. I essential say that the surrealists revive to occult entirely to the extent that it meets their fanciful pursuits - in particular, to pretend a bare-ass myth. Ellen Smith is one of the expectant heroines of surreal mythology, and manage immutable favorites such as Freud, Marx, de de Sade and others got their own purpose of the Marseilles deck, which made the surrealists in the war.\nThus, we can peach of continui ng interest surrealist everything that goes beyond traditional concepts, allowing a coup doeil into the mysterious world of unconscious: the art and the religious beliefs of lowbred peoples, the experience of mediums, vision and graphics insane. That is why the cornerstone of esthetics becomes surreal rabidness (la folie), because this is what makes it possible to escaped the human enliven from the burden of conventions that keep back the identity of the conjunction with its requirements and regulations.\nIt is noteworthy that in the surreal shift for the liberation inextricably intertwined aesthetic and estimable principles. Aesthetics Surrealist poem rooted in the cursed poets and Lotreamona - those who beget poetic renewing of the 19th century. some(prenominal) similarities can be seen in the poetics of symbolism and surrealism. After symbolizer just look to penetrate the secrets of the world, show nevyrazyme. This can be done in poetry unless through symbols. D uring this period, when the nineteenth century was pixilated to the end, the symbol appears as the experience of the world, was in the band of hesitation in the daub revaluation tsinostey and fade of the previous musical arrangement of coordinates in a fatal mail antynomichnosti consciousness which confronts other visibility and aggregate , to be and come out. A giving a sad paradox of culture artist, designed to snack bar the Rose-embodiment is false for a reality nadrealnist creativity. symbolizer consciousness in its absolute aestheticism compare world and world history: not accepted esthetically it does not exist. In this sense, symbolist knows no boundaries - boundaries between departed and future, high and low, skinny and evil substantiate and non-incarnate word, face and guise, ancientness and modernity, as he everywhere finds dissimulation screen for intercommunicate their imagination and imaginative will .